CAST & CREW

The voices and hands behind Claybourne. Recorded in New Zealand. Broadcast on 26 stations in 1998. Heard by ears that have been waiting ever since.

CAST

The original cast of the 1998 production.

Jim McLarty as Thompson

Thompson

Jim McLarty

William Davis as Mata

Mata

William Davis

Angela Bloomfield as Karen

Karen

Angela Bloomfield

Melwayne Edwards as Mike

Mike

Melwayne Edwards

Bruce Allpress as Frank

Frank

Bruce Allpress

Brenda Kendall as Edith

Edith

Brenda Kendall

Mark Ferguson as Clive

Clive

Mark Ferguson

Robert Pollock as Phillip

Phillip

Robert Pollock

Anthony Ray Parker as Troy Tyson

Troy

Anthony Ray Parker

Jodie Rimmer as Janine

Janine

Jodie Rimmer

Rachel House as Teremoana

Teremoana

Rachel House

Carl Bland as Bigby

Bigby

Carl Bland

Lori Dungey as Monica

Monica

Lori Dungey

Belinda Todd as Delilah

Delilah

Belinda Todd

George Henare as The Taniwha

The Taniwha

George Henare

Additional voice roles were performed by members of the company and guest performers.

CREW

Written, produced and scored by a small team in Auckland, 1998.

Story

Jim McLarty
William Davis
Belinda Todd
Andrew Dubber

Script

Jim McLarty
William Davis

Producers

Belinda Todd
Andrew Dubber

Sound Design

Andrew Dubber
Sean James Donnelly

Music

Victoria Kelly
Joost Langeveld

Production Company

Pronoun Productions

A NOTE FROM THE VAULT

Claybourne was commissioned by Newstalk ZB in 1998 and broadcast across twenty-six New Zealand radio stations, four afternoons a week, just after the three o'clock news. In both its original slot and its midnight repeat, it caused a spike in listenership.

It won the New Zealand Radio Award for Best Dramatic Production, became the most popular spoken word programme on MP3.com, and is widely recognised as the first serialised radio drama distributed as a podcast online.

Ninety-six episodes were produced, with the assistance of NZ On Air, before the series was cancelled after six months. The full one-year story arc was written. The town was real in the writers' heads, and it stayed real for the listeners who followed it week by week.

Nearly thirty years later, Te Irirangi opens its doors again.